During the Baroque and early Rococo periods, Pointillé became a signature technique for creating richly textured surfaces. It served multiple artistic functions:
3.1 Matte Backgrounds
Artisans used tightly packed stipples to create a diffuse, non-reflective surface behind polished motifs. This contrast enhanced the visibility of:
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Floral arrangements
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Heraldic shields
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Stylized scrollwork
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Mythological scenes
3.2 Shading and Modelling
Dot density was manipulated to suggest:
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Depth
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Shadow transitions
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Curvature
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Implied volume
This method parallels shading techniques used in printmaking (e.g., etching, mezzotint).
3.3 Border Ornamentation
Repetitive stipple borders appear in vessels, plates, frames, and jewellery, reflecting widespread aesthetic preferences of the era.